Alton Miller

Alton Miller

“Detroit’s Legend”

Growing up in the 1970’s in the Motor City, Alton Miller was molded, shaped and reared on Stevie Wonder, Santana, Parliament Funkadelic and the Philadelphia sound…

It was during the early 80’s Alton became friends with a young Derrick May that he decided to start spinning records, citing DJs such as Ron Hardy, Frankie Knuckles, Larry Levan and Timmy Regisford as prime influences.

By the latter part of the same decade, Miller joined forces with George Baker and Chez Damier to start the Music Institute, which was one of the epicentres of the underground House Movement, helping to create the musical volcano that erupted worldwide in 1988.

Between 1989 and 1991 he toured the world with his music. Alton’s affinities for rhythms inspired him to take up conga drumming, leading to an accompaniment for the locally based Katherine Dunham Dance Company. Drumming and its connections to rhythms of all music have proven to be influential to his musical growth…

He then joined forces once again with Derrick May, first as an employee of the artist’s Transmat Records label. Besides his EP on Transmat’s sub-label Fragile, Alton recorded “Pleasure Baby” for Serious Grooves/KMS Records. “I Like Having You” was a debut for his vocal talents. “Dusk” was recorded under the pseudonym Aphrodisiac and was critically acclaimed on both European and North American charts.

By the mid to late ’90s, he had increased his presence in the Detroit area through a number of DJ performances and a stream of stunning twelves.

Since his early recordings Alton has amassed worldwide success and exposure as a House music producer or DJ, and he has recorded and released music for some of the best independent labels in the industry. Guidance Recordings and BPM Records were plateaus for Alton’s inner growth as a musician and songwriter / producer.

Past and recent releases include recordings for Planet E, King Street/Nitegrooves, Trackmode Records, Moods and Grooves and KDJ. Alton teamed up with vocalist / playwriter Dorothea Sharon on their debut single “Glory” for the Japanese label Life Line Records.

Alton debuted on Peacefrog in 2003, with his first album “Stories from Bohemia”, a powerful, moving collection of mature jazz tinged, soulful house grooves with flavours of African and roots music… The release of “Chose to Believe” (Original full vocal) and “My Life” on Deeper Soul Recordings out of Chicago debuted at nr 42 on the DJ Mag Breaks and Beats chart. The recent release of “Abstract Messages” (feat Enid) on Seasons Limited, or his album “Souls Like Mine” on R2/BBE, has also strengthen his position as one of the most influential leader of thedeep-house/nu-jazz scene in the world.

Altons remix credits to date include: Sean Deason’s “Allegory Metaphor” on Intuit-Solar, Jacob Desvarieux’s “An Di Adie” on Distance, Kenny Carvel’s “Rise ” (featuring the late John Redmond) on Music 101 and Llorca’s “I Cry” featuring Mandel Tuner on F-com.

more info

http://www.exchangebureaumusic.com/altonmiller/
http://www.myspace.com/altohit
http://www.myspace.com/altonmillerdj
http://www.discogs.com/artist/Alton+Miller

Alex Augé

Alex Augé

“Jazz Player”

Aside of being a Europe-class respected jazz player, Alex Augé happens to be graduate as jazz and modern-music teacher. He has been working for well known music high schools like « JAM - Jazz action Montpellier », « Cité de la Musique de Marseille » or « Conservatoire de Béziers », and more recently for “Conservatoire National de Région de Perpignan » where he could develop some ambitious cultural projects.

With his very eclectic background, Alex has played saxophone as long as he can remember, which led him to perform with many jazz bands (Catalan Sax, Nahman, Mahjong 4tet, André Mallau…), duets (Entre Deux) and other big-bands, but also in traditionnal acts (Mescladissa, La Cancon de la Mina, Les Voix du Sud), as well as institutionnal ones (Montpellier Philharmonic Orchestra).

Also influence by the Jamaican sounds, his great experience allowed him to « reach the charts » with contributions to successful projects such as Regg’lyss or The Wailers.

Into avant-guarde music, Alex Augé has participated to some cutting-edge releases from « Palumbo » and he is currently partner in crime of Raph Dumas with « Jazzamix » and « The Primaveras » studio project live acts.

On top of his many activities as live performer, music teatcher, project leader, song-writer and composer, Alex Augé has created Deepart Productions and Publishing and runs one of the most established recording studio in South West of France.

more info
www.myspace.com/jazzamix

Maria Angeli

maria-angeli1

“London-Rome”

Born in the sensual city of Rome into a renowned Italian family heritage of household-name artists and film makers, it was only a matter of time before Maria Angeli’s own natural talents as a performing artist would simmer to the top. To capture and nurture this raw and exploding creative force, Maria was promptly sent to train at top performing arts schools. It was not long though before she realized that the harder she tried to resist the temptation, the more seductive the idea of relocating to the most dazzling and dynamic European city to pursue her artistic career became. So at the tender age of seventeen, Maria trusted her instincts and packed her bags and moved to London. After an initial avalanche of acting work in various stage productions, short films and commercials, Maria made an executive decision to focus on her true calling: a musical career as a singer songwriter. In 2001 she stood behind a studio microphone for the very first time to belt out deep, sultry house vocals that would blow away Swedish-based DJ and producer Pawel Kobak. This creative collaboration and Maria’s evocative and seductive voice resulted in the two seminal tracks: “You Got Me” and “Looking After No.1″ that were later released as the cornerstone of Kobak’s now hugely successful record label, Route 45 (www.route45.com) In 2002 a chance encounter with London-based DJ and producer Stephen Wakeling, and veteran guitarist Bruce Lister sowed the seeds that are today yielding the fruits of a formidable and copious creative partnership on the verge of musical greatness. Performing as ReddMoon, Maria Angeli and her production partners recently completed their forthcoming album, “Between Earth & Air”, a tour de force of soul-laced electronica, chilled-atmospheric down tempo, and warm, dreamy British folk that will silence any naysayers or so called musical purists. The album was a labor of love for the trio and the perfect vehicle for Maria’s wonderfully velvet and seductive voice. It features an impressive and diverse list of guest musicians including Heather Hoyle, JOndrums, Leon Grant, and members of The London philharmonic orchestra. Tracks to look out for include “Once In a ReddMoon”, “How Could We?”, “Where Do We Go?” and “Ten”. And while her ReddMoon project was coming to fruition, the highly prolific Maria was not sitting idly on the side twiddling her thumbs. She features on three pure electronica tracks on the “Elektric Red” album part of the cutting edged KosmetiQ collection: “Modern Life” remixed by Detail and Stereovox, released on Qritikal records Revox and “Made in Italy” compilation, in February 2008 reached n.8 in Music Week’s upfront club charts. “Doin Jus Fine” also remixed by DETAIL and Frankie Fiasco, released on Qritickal records and “Underneath” one of the first releases also on Qritikal. Maria has also collaborated with London-based musicians/producers, Steve McCarthy and Toby Griffin, under their Parallel outfit. That project gave birth to numerous tracks, including “Something In My Head” that will feature prominently on Parallel’s forthcoming album to be released on i-label (www.myspace.com/parallelsound). And when you possess the vocal prowess of Maria Angeli, you don’t just hide between the technical wizardry of a recording studio – you take your live music show on the road. Maria performs regularly at some of the hottest venues in London, Rome, Florence, Barcelona, and Ibiza including Pacha, The Mermaid Theatre, Akab, and Yab. Maria’s refreshingly diverse vocal range and songwriting abilities have allowed her to work on a plethora of projects alongside established, progressive, and talented producers and musicians. Watch this space for live performance venues and record release dates.

more info
http://www.myspace.com/mariaangeli

Uninvited Partners

Uninvited Partners

“Special Guests”

Uninvited Partners is a duet born in 2003 and revealed by the Tilt Festival in 2004 when they win the remix competition.
With a strong musical personality and a wish to create new bounds, they work in close collaboration with Enjoy & Lace Recording team, which put them at a professional level.

Sure that music melts quicker than people, the two Parisian go on this experience by adapting all their work into an astounding live, always playing at the edge of techno, electro, rock and deep house. A tour in Spain and France follows the next summer. On this occasion, they don’t hesitate to adapt great classics such as a remix of Nirvana’s “smells like teen spirit” or a bootleg of Juan Atkins’ “Jazz is the teacher”. They perform in famous places such as The Rachdingue or The City Hall in Barcelona. At the end of this tour, they sign “evd 66 connected” with Rachdingue Records.

The two following years give birth to several collaborations, including one with Philippe Monrose (Brooklyn funk essential) under the aka Talking World such as “on the rock’s” which is published on “Urban Walking” compilation.
Our duet gets also more and more interested in music applied to imagery and creates for short films such as “Couleurs amères” and “Guirilandia”.
They also create for particular visual concepts such as “the white horse” for 20B4.
Still wanting to be on stage, the duet keeps on performing in famous places such as the school of art “Villa Arson” in Nice or the micro club “la macarena” in Barcelona.

Strongly influenced by the music from Detroit, Univited Partners begins to work on a long-time-thought project with the writing of a music part directly inspired by techno’s first movements.
This part, entitled “Pyramide”, is signed in 2007 on Deeplay Soultec label and is unanimously approved by famous Dj’s such as Laurent Garnier, D’julz or Carl Craig.
Now performing also as a dj set, Uninvited Partners creates an original concept by mixing jazz, reggae, hip hop and techno, the last remaining their first reference. They set up in Paris, at the “Cello” club. In July, following their success with “Pyramide” and their applaused performance as djs, the parisian duet is invited at the famous “Jazz Festival de Montreux”, which they close on the Jazz Café’s stage with Claude Nobs himself.

After a break in 2008, the parisian duet comes back in 2009 by signing a remix of Hakan Lidbo on Enjoy Recordings and another one of Alton Miller on Lace Recordings. Always looking for new challenges, they keep on imagining new concepts with their friends Manuel Perez, Harmonalogik, Labulo, Jean Cédric, Philippe Monrose, Raph Dumas, Geoffroy aka Mugwump, Aqua Bassino and the whole team of Marendadisc.

http://www.myspace.com/uninvitedpartners

Max Cherry

Max Cherry

“Trendy Not Only”

After being an active promoter of Enjoy and Lace record labels in Paris, Max Cherry, together with his mate Esteban, decided in 2004 to launch their own label : Vicky Productions.

In the beginning of 2005 Vicky Productions’ 2nd single (002) reached the second position of the “Dance charts” in England.

After developing further skills in music making and record promoting, Max Cherry stays now focused on his own productions for Vicky ; working on the side for eclectic projects such as Hektor (an electro-rock band he’s a part of) and Full Clip ( Hip-hop duet with a MC that is preparing his first album out in early 2010).

On the club scene, Max Cherry pays tribute in his mixes to all his musical influences, from brazilian beats to jazz through rock, funk and electro, in a permanent search of originality.

He’s, since recently, associated with another DJ, Franck Garcia, for a hi-energy 2 desks performance that should make some buzz in the months to come.

His last productions : one track “We love” and one remix for the hip-hop and house collective “Rouge à lèvres” consisting of Disiz La Peste, Grems and IVromain. Those tracks are included in the album “Démaquille-toi”.

Max has also been resident DJ in several prestigious clubs in Paris : le Wax, le Batofar, la Fabrique and performed as a guest in many others like le Pulp, le Nouveau Casino, le Dulcinea (Istambul), l’Opus, le Space , Le Mimo’s, Les Planches, Le Réservoir, L’Eurosport, Le MCM Café, Le Blau, Rachdingue (Espagne), l’Ailleurs (Toulouse), l’Absolut (Canet Plage), L’Africatek (Nîmes), le Bazar (Marseille), El Médiator…

He had been lined up with Daft Punk, Birdy Nam Nam, Digitalism, The Hacker, Mlle Caro & Franck Garcia, DJ Zebra, DJ Rork, DJ Sneak, Joakim, Almost, Esteban Bob Sinclar, Demon Ritchie, DJ Q, Roussia, Manuel Perez, John Thomas, Cyril K, Raphaël Dumas, Modaji, Ariel Wizman, Ivan Smagghe, Joe Davies, Claude Young, DJ Mellow…

http://www.myspace.com/maxcherryvicky

http://www.myspace.com/vickyproductions

http://www.myspace.com/hektorinyourface

selective discography

  • VCK001 : First Place EP (Vicky Productions)
  • VCK002 : Vicky Dance On Both Sides (Vicky Productions)
  • VCK003 : 003 (Vicky Productions)
  • VCK004 : ControlAltSup-Juskisses Remix (Vicky Productions)
  • VCK005 : I’am a Funky Man (Vicky Productions)
  • ENJ016 : Beat Conductor (Enjoy Recordings)
  • “We Love ” : Rouge à Levres (undercover)
  • “In A relationship” : Franck Garcia (Max Cherry Remix) (soon)
  • “Pas Assez Bien Pour Toi ?” : Hektor
  • “First album” : Full Clip “Soon”

LaBulo

LaBulo

“South’ sick sounds”

LaBulo was founded in 2002 by Julien Valette and Jerome Hoffmann. After several soundtracks specifically designed for theatre companies as well as museum and gallery exhibitions like works with the New York-based physical theatre company XP-Girl. This Montpellier-based duet started a live-act and some leftfield electronica dubby cool recordings. They appeared on the Rachdingue compilation in 2005 and got to remix « Pyramide » by Uninvited Partners (Paris) on the Swedish label Deeplay Soultec (Sweden). Also featuring on the Musik Discover compilation (Fr), they recorded a live session with 121 Records (Fr) and made a remix of  the Swedish Hakan Lidbo. They just reased on the label Eklektik Records « 2 sides Vol3 ».

LaBulo plays an electro-house music with some sample action but with melodic qualities. A music made out of spontaneity, often composed while being  performed live using laptop computers,… LaBulo’s music also borrows its harmonic lines from jazz. The instrumental texture, and the bouncing energy of its grooves, are influenced by funk music : Amplified guitars, Fender rhodes and electric bass blend with experimental sounds discovered in their  research lab named BuloLab.
LaBulo live set gradually takes dancers from cosy entertaining house music to a more radical and polished sound environement.

more info
http://www.eklektikrecords.com - http://www.myspace.com/labulo

Nice

Nice

“Science fiction’s best friend”

Nice started his career as a DJ in the mid-nineties while he turned his attention towards Acousmatic music, which he studied under Denis Dufour. He then became an interpreter of the Acousmonium Motus as well as keeping a keen interest for the world of electronic music.

Attracted by a mixture of creative universes, he officiates the dressing of sound through many different means: fashion shows, installations, contemporary dance… His compositions are laced with his experience, and we can immediately feel his love of precise, chiselled sounds that - combined with a strangeness and fantasy - are the psychedelic expression of his creative liberty.

Nice unleashed his first production in 1999, the funky track “Sport & Detente” on the very first release of Lace Recordings. Two house singles followed up under the project name Babydoll (Enjoy Recordings) with Raph Dumas. Many releases in various styles came out since those days, with outstanding work on labels like Wrong Steps, Ruby Breakfast, Karat Records, Soulsoleil, Very Important Music, VirMinisketch, Feinwerk, Stickymouk, Force Inc, DTC Records, Famille Electro…

As a DJ, Nice plays eclectic and electric sets all over Europe, mixing minimal, house, funky techno and other hidden gems. To be listened and danced to, his fresh mix keeps the dance-floor banging and he leaves his audience tired out but always smiling!

single and ep

  • DAVE DEE NICE / Sport et Détente / Lace Recordings
  • BABYDOLL / Chicken Beats / Enjoy Recordings
  • DEE NICE / Tchanox / Cyanogène Records
  • BABYDOLL / Saturday / Enjoy Recordings
  • ELECTRODANSE / T.G.L. / Balistik
  • E-DENSE / Robi 1 k / RubyBreakfast
  • E-DENSE / 3men / RubyBreakfast
  • ELECTRODANCE / Oldies but goodies / Wallis PROD
  • NICE / Amme (MP3) / VirMinisketch
  • NICE / Sous Le Soleil (MP3) / Karat Records
  • NICE / Anzymes (MP3) / Very Important Music
  • NICE / Woodywood (MP3) / Famille Electro Records
  • 4 ROBOTS - The Robot Connection / Rollin’ To Absynthsk / Force INC
  • NICE / Furoz (MP3) / Spontan-Musik
  • NICE / On The Green / Feinwerk Rec
  • NICE / On The Green (MP3) / Feinwerk Rec

remix

  • D. BEHAR & RAPHAEL DUMAS / Bluesless / Wrong Steps
  • NICE / From Perpignan To Mainz / Spontan Musik
  • NICE / Slave’s To Edit The Remix / DTC Records

compilation

  • D. BEHAR / Sport Et Détente / Sixeleven Records
  • BABYDOLL / Saturday / E-FrenchSound
  • DAVID DEE NICE / Edenless / Apricot Records
  • NICE / Furoz (MP3) / Micromix
  • NICE / J’habite Dans L’Beat / Stickymouk Records
  • NICE / Woodywood (MP3) / Famille Electro Records

executive production

  • NICE / Maximalizm / Soulsoleil
  • NICE / NICEmouk / Soulsoleil

more info
http://www.myspace.com/soulsoleilnice - http://www.discogs.com/artist/nice

Franck de Villeneuve

Franck de Villeneuve

“Post-electric wizard”

Lace Recordings is welcoming Toulouse native Franck de Villeneuve in Catalunya with a first fruitful collaboration: his remix of Raph Dumas’ “A Rare toy”. Before so he has already released tracks and remixes for labels like Mil Records (Mexico), Sonic360 (UK), Nettwerk (US), Heads+Arms (US), Loukoum (France), Da-Traxx (France), Side FX (China), Rachdingue (Spain) or Hypnotic Room (Australia).

DJ and composer of electronic music since the early 90s, as well as composer and sound designer for diverse projects in Contemporary art, events, movies or TV documentaries, Franck de Villeneuve has also collaborated with other artists like Laurence Martinez (violonist of Laurent Garnier) on an Ambient project, and he is currently working on a new live show involving visuals and dance-acts with performer Freeda.

He is also renown over Europe as a fine DJ who has played alongside artists like Miss Kittin, Paul Kalkbrenner, M.A.N.D.Y., Marc Romboy, Luke Slater, John Dahlback, Valentino Kanzyani, Steve Law aka Zen Paradox, Agoria, Clara Moto, MyMy, Juan Trip, Mlle Caro, Electric Rescue, Laurent Hô, Zen Paradox, DJ Paulette, Jonhatan Jewel, John Thomas, Marco Bailey, Tonio, Djul’z, Miloch, Angel Molina, Sergio Patricio, Jack de Marseille, (…).

discography

  • 1996 / F2F / Live-Act
  • 1997 / Festival of the Experimental Film / Cinema
  • 1998 / Take no Logic / Live-Act
  • 1998 / Amae / BMG publishing
  • 1999 / Drumatik / Live-Act
  • 1999 / DJ tools for progressive vibes / Self-prod
  • 1999 / Just married / FNAC
  • 2000 / Giant swarm remix / MIL records
  • 2000 / l’Homme nouveau / City of space
  • 2000 / Alchimie / Art Gallery
  • 2001 / Giant swarm remix / SONIC360
  • 2001 / Sound designs for ICOM / Television
  • 2001 / MewiMewi / Live-Act
  • 2001 / RAVE / Art installation
  • 2002 / Les souliers rouges / Theatre
  • 2002 / Sound designs for ICOM / Television
  • 2002 / Sound design for Sincever / Radio
  • 2002 / Electro large sens / Self-prod
  • 2003 / Le chemin / Art installation
  • 2003 / Inconnu à cette adresse / Theatre
  • 2003 / Petite histoire de fête / Theatre
  • 2003 / Sound designs for ICOM / Television
  • 2003 / Melting-Pot / Self-prod
  • 2004 / The hands / Live-Act
  • 2004 / De passage / CD-ROM
  • 2004 / Sound designs for ICOM / Television
  • 2004 / Petite lumière / Cinema
  • 2005 / U_Main / Live-act
  • 2005 / Sound designs for ICOM / Television
  • 2005 / Sound designs for Anagram / Television
  • 2006 / True tone deVil mix / Rachdingue
  • 2006 / Ana’s groove / Loukoum records
  • 2006 / Sound designs for ICOM / Television
  • 2006 / Sound designs for Anagram / Television
  • 2006 / Le corps en jeu / Theatre
  • 2007 / deVil E.P. / Loukoum records
  • 2007 / Sound designs for ICOM / Television
  • 2007 / Toulouse Natural Museum of History / Music
  • 2007 / Tek diving / Television
  • 2007 / New generation deVil mix / Loukoum records
  • 2008 / Noise cut / Head records
  • 2008 / LA FF / Live-Act
  • 2008 / Music for SNCF Internal / Documentary
  • 2008 / Money-fact / DA-TRAXX
  • 2008 / Music for TV / Documentary
  • 2008 / Conscient EP / SideFX
  • 2008 / ICOM / Television
  • 2008 / sound design JPCOSTE / Brand
  • 2008 / sound design exhibition / Art
  • 2008 / remix for Raph Dumas / Marendadisc
  • 2008 / Urban Diva / DA-TRAXX
  • 2008 / In a RAVE way / DA-TRAXX

more info
www.franckdevilleneuve.com - www.myspace.com/franckdevilleneuve - www.diprogress.com - www.verjux.com - www.discogs.com/artist/Franck+de+Villeneuve

Alvina Red

Alvina Red

“Nordic flower”

Born and raised in Stockholm Johanna Alvina has been learning music since she was six. By the age of ten, she had her first studio recording session performing backings for Abba.

As a teenager she has been part of professional choirs and got gigs such as the Nobel Prize Ceremony in Stockholm, but at the same time she was lead singer in a P-Funk band which made her write her first songs.

Some years after, while acheiving succesful music teacher studies, she met the Wrong Steps crew and started collaborating as song-writer, arranger, vocalist and keyboard player with Spiro Projecto, Martinez, Pawel Kobak. This lead her to have some releases with names like Jori Hulkkonen or Dan Curtin.

More recently Alvina has been recording songs with Hakan Lidbo, Raph Dumas, Alton Miller, and released instrumental deep tech-house tracks together with Manuel Perez for labels like Lace or Nice & Nasty.

www.myspace.com/alvinared

Nilco

Nilco

“Poésie enragée”

NILCO né le 21 mars 1977 à Perpignan, est donc “Catalan de naissance”, cependant, comme il aime à le chanter dans son titre “les gènes”, il se sent avant tout Citoyen du monde.

C’est naturellement dans cette même veine, fruit du métissage, que s’abreuve dans le prolongement de son identité propre, son identité artistique.

Après 12 ans de piano classique et presque autant de solfège au conservatoire national de Perpignan, c’est vers l’âge de seize ans que NILCO se tourne vers la guitare en autodidacte, histoire d’explorer d’autres horizons musicaux dont celui de la chanson.

Alors vient le temps des premiers groupes et avec, ses premiers bouts de rifs, mais surtout, le besoin de créer en poétisant les révoltes conscientes de son quotidien. Durant cette période, ses thèmes d’écriture s’entrechoquent et oscillent des grands espaces montagneux aux rues étroites de la misère sociale.

Toutefois, la dérision, l’humour sont loin de lui être étrangers. La frivolité de ses textes n’est pas paradoxale avec une certaine profondeur; la désinvolture ne l’étourdit pas, le sens le hante.
C’est en ça, que titres après titres, NILCO se révèle comme un auteur à part entière et de fait, entièrement à part.

Musicalement, NILCO se défend de toute appartenance exclusive.
C’est ainsi qu’un trio de cordes classiques peut ainsi soutenir un “reggaerotique”; plus loin dans “les gènes”, c’est dans la fibre d’IAM qu’un rif de blues finit par raper les perspectives constructives qui existent entre mémoire familiale et regard historique.

Vous l’aurez compris, au-delà d’inspirations directes, c’est d’avantage un métissage de résonances musicales où se côtoient le classique, le reggae, le rock, le jazz, la soul, qui définit la singularité de ses compositions, et finalement, le compositeur lui-même.

Son histoire commence dans le cadre du festival “Guitare au palais” où, partageant entre autre l’affiche avec Paco IBANEZ ou encore TOMATITO il dévoile, uniquement guitare/voix, ces morceaux accumulés au fil des insomnies. S’en suit alors au Médiator, la première partie de Magid CHERFI et l’enregistrement à la Casa Musicale d’une première maquette. Une prestation remarquée en première partie de Bernard LAVILLIERS au théâtre de la mer, à Sète, clôturant le festival “Quand je pense à Fernande”, celle d’AMADOU et MARYAM, puis tout s’accélère. NILCO enrichit sa formation musicale qui au-delà d’une base “basse/batterie” intègre un trio de cordes, de cuivres; son éducation musicale et pianistique lui permettent de travailler les arrangements pour aujourd’hui enregistrer en totale autoproduction son premier album.

NILCO, c’est donc une voix qui dénonce une France en demi teinte, milite pour une musique et des textes toujours plus engagés, mais c’est surtout une sensibilité exacerbée, celle de toute une humanité qui observe un monde dans lequel, elle ne se reconnaît pas forcément… “un moment de bonheur dont on ne sort pas indemne”.

more info
http://www.nilco.fr - http://www.myspace.com/myspacenilco


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